542 Royalty-Free Audio Tracks for "A Chord"

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

A c note on a hammond organ.

A testing of a sig sys project.

Bergamesca variant, MS. Lute Book, c. 1600.

My wife singing a 3-part triad as a choir of angelic voices.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Choir chords made in fl studio sytrus. Chord progression is a minor, f, c, g.

Me playing my weber mandolin with a high g strum.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Distorted open a chord. The chords in this sample pack may not all have the same tone due to accidental microphone movements.

Uploaded for a sample request. Me humming a c note, and adding robotic c chord, and then modulating it a bit. Three different types of c note hums and effects in this sound.

A mix of two synth voices using the chord c add 9 sharp 5 to emphasize its impact.

A synth chord with a resonant filter that erupts rhythmically due to an lfo sequence routed to the filter. Made with native instrument's massive digital synth.

A "telephone"-like chord sample, useful for future bass(?) projects, or something old. Exported in 140bpm.

A short synth major chord. Can be used for game sfx, success alerts, etc.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.

End guitar chord of a song looped backwards.

A dirty chord. Probably good for granular synthesis.

Four notes recorded from the same person to create this "heavenly choir" cluster chord. Some reverb added. Created for a production of jesus christ superstar when he is crucified. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Full diatonic fifteenth chord from Listz on B

A fingerpicked f#add11 chord with tremolo added at the end for suspense.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

A chord i recorded on my glockenspiel using a blue snowball ice microphone.

45:54:64 = F#+, A+, C = C, Eb, Gb-

A two tone chord. F plus quint. Loopable.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Percussive sombre reverb drone from a piano chord using makenoise echophon morphagene and mimeophon with erbe-verb. Rendered in reaper @ 48khz 32 bit fp. Add howling wolves to taste. Enjoy!.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

An acoustic guitar chord recorded through a set of guitar plugins for extra fun!this one is am9.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

A power chord recorded with an ibanez, processed through guitar rig and some other guitar amps, and time-streched with paulstretch. Two recordings used for stereo. I also added some reverse reverb.

A chord loop which is used in one of my tracks called charcoal grey.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

Electric guitar some sloppy a blues, fuzzy and dirt heavy.

Reverb tail off a synth chord. Used to make pertiverbhitbuiltfrompiece. Wav.

A chord progression illustrating "Tonalität", rather than the strictly diatonic "Tonart".

A reverse vocal whit some reverb good sound for pad modulated chord.

The sound of a burp made by my cousin a time ago, slowed. It sounds like a chord with distortion. . . Recorded with a standard recorder.

D min7 chord of a halion 6 patchmultisample (c0-c6). Source: zebra 2, spectro blend oscillators (additive synthesis). Strong processing with spectral fx (esp. Mtransform), eq/geq + compressor to balance the frequency spectrum. Feel free to suggest/demand other chords. Don´t hesitate. . .

It's a nice chord from a clock bell with a strong bell kick. Recorded with a tascam dr100.